Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts

Friday, December 9, 2011

2012: A Look Ahead

At every year's end, because I'm a giant nerd, I like to preview the upcoming year and go on about all the movies I'm most excited to see. But with 2012, there's so much coming out I hardly know where to begin. Obviously, a good chunk of next year's films will prove to be letdowns - I'm not expecting them all to be pure gold - but I never get discouraged when it comes to movies. When it comes to horror, I'm like a Pollyanna of Putrescence!

Plenty of movies test my tolerance but never so much that I don't go into the next one hoping for the best. And I find that even most of the bad ones are easy to look back on fondly, sometimes even more so than the great ones. Anyhow, all this is just a roundabout way of saying that I can't wait for the movies of 2012 to arrive, my first preferences going to the ones that (one or two exceptions aside) I know for sure will be hitting the big screen in my neck of the woods.

These movies, in particular:

20. Paranormal Activity 4
I didn't even think that the first sequel to Paranormal Activity would work but it did, as did the second, and now here we are expecting the third. These movies aren't everybody's ideal spook house but I really dig them. The challenge, naturally, as the series continues is for the filmmakers to maintain the "found footage" conceit while not making it seem shoehorned onto the film. The series is at a tipping point right now (most series peak with their 3rd or 4th installments) so it'll be interesting to see how PA 4 shapes up.

19. Silent Hill: Revelation 3D
I'm not a game player so I have no insight into how well 2006's Silent Hill represented its source material but I can say I really enjoyed that movie for its surreal, grotesque imagery. I wish that director Christophe Gans had stuck around for this second installment (or that he'd get a new movie of any kind going - it's been five years now since SH!) but hopefully writer/director Michael J. Bassett (Deathwatch, Solomon Kane) will do a great job at the helm. I definitely think a 3D film set in the world of Silent Hill has great potential so here's hoping this will be more than a half-baked follow-up.

18. Piranha 3DD
I didn't think that much of Alexandra Aja's Piranha remake. But I'd say that's mostly to do with the shoddy, post-coverted 3D as in other ways I thought it's heart was in the right place. With this sequel being shot in the 3D format to begin with, I'm hoping the results this time around will be much better. Plus, I'm rooting for director John Gulager to score a hit as I'm pretty fond of Feast (2005). If anyone has the right sensibility to make this movie work, it's him. Judging by the trailer, featuring David Hasselhoff, Ving Rhames with robotic legs, and more breast implants than you can shake a pool of piranha at, I think this'll be fun.

17. Lords of Salem
I'm not a fan of Rob Zombie's films to date. Outside of Devil's Rejects (2005), they're just not that good to my mind. And even Devil's Rejects I had issues with. But Zombie does has a flair for visuals that I'd like to see attached to a decent movie one day. Will this be the one? Hmm, probably not but I'm open to the possibility that it might be.

16. Texas Chainsaw Massacre 3D
Maybe it's due to spending my adolescent years in the '80s during the heyday of slasher sequels or maybe it's because I have shitty taste but I'm hopelessly addicted to horror franchises, no matter how many times I've been burned by them. I'm sure this will be lousy but a TCM film shredding its way into theaters in 3D is nothing that I'll pass up.

15. Ghost Rider: Spirit of Vengeance
Most of the advanced comments on this sequel (reboot?) are from people saying that, hey, at least it looks better than the abominable first film. But I didn't hate the first film at all (even if it did have more than its share of lame bits) so imagine how excited I am for this one! Very fucking excited!

14. The Raven
The potential for this to be cheesy is high, I won't deny that. The concept alone screams silliness - that the real life Edgar Allan Poe was involved in solving a series of murders in which the killer was using Poe's stories as inspiration. But for me that's part of its appeal, that this is kind of a stylized, comic book-ish take on Poe. I've enjoyed director James McTeigue's films so far (yes, even Ninja Assassin) and I'm curious to see how John Cusack fares as Poe so consider me all in for The Raven.

13. Abraham Lincoln: Vampire Hunter/Hansel & Gretel: Witch Hunters
I'm pairing these two films together because they're both new, big-budget entries in the monster hunter genre. And also because I can't really decide which one is more appealing to me. I guess Lincoln would have to take the edge just because it's based on a book that got fair-to-positive reviews (author Seth Grahame-Smith worked on the screenplay as well), Lincoln director Timur Bekmambetov did at least one film I liked (Wanted), and Tim Burton is producing. On the other hand, H&G director Tommy Wirkola did the Nazi Zombie movie Dead Snow, which I got a kick out of. Also, Jeremy Renner plays Hansel. Oh, and Wirkola claims this is going to be a bloody, R-rated movie. And it's in 3-D, too. Damn it, now I feel like I've got to give the edge to H&G! Well, let's just say they both look like fun and leave it at that.

12. The Bay
I haven't read too many details about this one - apparently it involves a biological disaster of some kind - but the fact that director Barry Levinson (Diner, Rain Man) is doing a horror movie, a found-footage movie at that, and one produced by the people behind Paranormal Activity, is enough to make The Bay a must-see.

11. The House At The End Of The Street
I've been reading about this project for years. I seem to remember that it was due to be directed by Jonathan Mostow after he did Terminator 3: Rise of the Machines way back in 2003 but for whatever reason it didn't happen so he we are coming up on 2011 and now it's done (under director Mark Tonderai) and due to hit theaters. From what I've read of the plot description, this sounds like a generic psychological thriller but I have to imagine that if the script stayed alive all these years, after so many set-backs, there must be something more to it. We'll see.

10. Dracula 3D
The saddest thing about this movie is that I can't imagine that it'll get a decent theatrical release in the US. I'd love to be proven wrong on that but it just seems unlikely to me. I mean, the one and only Argento movie I've ever seen at the movies is Phenomena, under its US title of Creepers, and that was back in the day. But all that aside, I hope this movie proves to be a comeback for Argento. I find it sad when great directors go into a long decline and I'd love it if Argento could turn the tide on his latter-day career. And if nothing else, the fact that this is Argento, taking on Dracula, with Rutger Hauer as Van Helsing, makes this an instant must-see even if it unfairly goes direct-to-DVD here in the States.

9. World War Z
I have to say that the Max Brooks novel didn't do much for me. In fact, I didn't even finish it. And WWZ's director did that lousy Bond movie Quantum of Solace. But I'm all for a big budget zombie movie that delivers living dead action on a global scale so any reservations I have about this film will be put aside.

8. Sinister
One of the many new genre pics coming from the Paranormal Activity/Insidious producing team and clearly with that title, they're trying to make at least a spiritual (heh) connection to Insidious. The story - about a journalist (Ethan Hawke) discovering the truth about a home where a horrible tragedy occurred - doesn't sound like much but the fact that Scott Derrickson is directing makes me interested as I thought The Exorcism of Emily Rose was one of the best horror films of the last decade.

7. The Woman In Black
I'd love it if a classic-style ghost story could turn out to be a big hit (as well as being a good movie to boot). It's certainly not unheard of - The Others was huge back in 2001. And ghost stories are bigger than ever now with the success of the Paranormal Activity films so The Woman in Black has a better-than-average chance of pulling people in. We'll have to wait until February to find out how good WIB is or isn't but at least its trailers so far have been spooky perfection.

6. John Dies At The End
A new film from Don Coscarelli is always cause for celebration. Some fans might have preferred that he return to the world of Phantasm but I'm betting this will turn out to be one of the coolest films of the year. I haven't read the book this is based on but how can the combo of Coscarelli and star Paul Giamatti not result in greatness?

5. Dark Shadows
I was never a fan of Dark Shadows. It was ahead of my time as a '70s kid so I never saw it at the right impressionable age. By the time it aired on the Sci-Fi Channel in syndication in the '90s, that ship had sailed for me. But the idea of Tim Burton tackling a monster mash mixed with '70s kitsch sounds good to me. I haven't enjoyed a lot of what Burton has done lately but I have a good feeling about Dark Shadows.

4. Maniac
When it comes to William Lustig's 1980 supremely sleazy slasher classic, I've always loved its revolting poster but not so much the revolting movie itself. But despite my lack of love for the original, the idea of Elijah Wood stepping into the shoes of Joe Spinell is too batshit to ignore.

3. The Cabin in the Woods
The less I know about this Joss Whedon-penned film ahead of time, the better. All I need to see is its M.C. Escher-esque poster to know that this is not going to be a lazy, retro-flavored horror offering.

2. You're Next
I've read nothing but raves so far about this home invasion film. And now I'm done reading anything about it until after I see the movie next October. I'm really glad to see that with this and The Cabin In The Woods that Lionsgate is still very much in the horror game post-Saw.

1. Prometheus
Sometimes going back to past triumphs doesn't work out but I have a feeling that Ridley Scott will not fail with his return to the world of Alien. In fact, I bet this is going to be flat-out great. And if Prometheus does well, hopefully it'll encourage more studios to invest in ambitious, big budget horror and sci-fi.

Other 2012 titles I'm looking forward to are Sleep Tight by REC director Jaume Balagueró, The Tall Man from Martyrs director Pascal Laugier, the Guillermo del Toro-produced Mama, the all-star anthology The Theater Bizarre, Intruders from 28 Weeks Later director Juan Carlos Fresnadillo, and Frontier(s) director Xavier Gens' The Divide.

I also have to give special mention to The Pact, from writer/director (and fellow Horror Dad!) Nicholas McCarthy, which will make its premiere at Sundance in January.

And with 2012 representing an apex for geek cinema, I have to give some mention to the non-horror offerings that I'm jazzed about:

10. Kill Bin Laden
I don't know what the eventual movie of Kill Bin Laden will be like but I love that it has a title like an exploitation film. It makes me wish that director Kathryn Bigelow would shoot it like an exploitation movie, too.

When someone gets shot in a movie now, instead of a squib exploding, the burst of blood is added by computer in post-production because that way there's less hassle to go through, less set-up involved. But I think squibs have to make a comeback for this one. It should look like an old-school action movie kill when Bin Laden gets riddled with bullets (even if he only got put down with, like, one bullet in real life, it has to be at least twenty in the movie) and then cut to the title filling the screen and roll end credits. None of that will happen of course so, really, my excitement over Kill Bin Laden is for a version of the movie that will never exist but I'm sure Bigelow will make a great movie nonetheless.

Still, to my mind the only man qualified to kill Bin Laden on screen is Tom Savini.



9. Electric Boogaloo: The Wild, Untold Story of Cannon Films
The '80s would not have been half as much fun without the magnificent output of Cannon Films so the fact that a documentary about the studio responsible for Chuck Norris' career, among other things, is on the way is nothing but good news.

8. Chronicle
I hadn't heard a thing about this movie until I saw the trailer a month back or so. I don't know anything about Chronicle yet other than what was shown in that trailer but I'm intrigued to see how well the found footage genre and the superhero genre go together.

7. The Raid
It looks like this Indonesian action film that everyone is going nuts about might actually get a decent release in the US so I'm optimistic that I'll actually see this on the big screen and not just have it come to DVD where inevitably, like so many other indie and foreign films, I'll forget that it even came out.

6. Looper
It's been awhile since Bruce Willis was in a movie that I really loved. It's also been awhile since I've seen a really great time travel movie so I'm hoping that Looper from director Rian Johnson will kill two birds with one stone. Advance word has been super-strong so I'm hoping that unless ill-advised tampering gets in the way that Looper will be a 2012 highlight.

5. The Expendables 2
Some people thought the first Expendables wasn't all that but I thought it delivered exactly as promised. The only thing missing from that film for me was the Cannon Films logo on the front. The sequel still won't have that Cannon Films logo, sadly, but it will have Chuck Norris and Van Damme (along with reportedly bigger roles for Bruce Willis and Arnold Schwarzenegger) so this'll be a true Mt. Rushmore of '80s action icons.

4. Django Unchained
It's Tarantino. Kurt Russell's in it. That didn't add up to much with Death-Proof (even if Russell was great as Stuntman Mike) but I feel like after Inglorious Basterds that Tarantino is going to be on a roll for awhile.

3. Skyfall
After the high of Casino Royale, it was crushing to have Quantum of Solace be such a bore but I hope that Skyfall can restore Daniel Craig's tenure as Bond to its original excellence and that Sam Mendes (American Beauty, Road to Perdition) will prove to be an inspired choice as director.

2. The Amazing Spider-Man
It would've been nice if Sam Raimi and co. had been given one last crack at the web-spinner but maybe a reboot of the franchise was in order. Some are balking at another telling of Spidey's origin but that doesn't seem like such a chore to sit through to me. Andrew Garfield looks like he'll make for a perfect Peter Parker and I love that they're finally going with The Lizard as the villain (even if it's a crime that Dylan Baker never got to go there in Raimi's films).

1. TIE: The Avengers/The Dark Knight Rises

It's natural to try and pit these two films against each other and their camps of supporters will divide along the usual lines of Marvel and DC fandom but at the end of the day, I think most comic fans will have to say that we're just lucky to have both films to look forward to - and in the same summer no less. With The Avengers, you've got a true cinematic first - a superhero team assembled over the course of multiple films with an eye to comic book-style continuity, penned and directed by a genuine comic book aficionado. With The Dark Knight Rises, you've got the concluding chapter of a Batman trilogy that's been helmed with pure artistic integrity from the start. No matter how these films turn out, just the fact that they were made in the first place is proof that geek cinema is hitting a high point.

And if you read all of the above, it's proof that you're as big a horror/comic book/movie nerd as I am. Congratulations! Let's keep comparing notes in 2012.

Thursday, November 12, 2009

You Don't Have To Be A Mayan To Know Which Way The Wind Blows

My first memories of being scared in a theater were of watching the trailers for Irwin Allen productions like The Poseidon Adventure (1972) and The Towering Inferno (1974). I don't know which movies my mother and I had gone to see when those previews played but the sight of crowds of people trapped, overwhelmed and facing certain death by either water or flames terrified me. I even felt unnerved a few years later when we saw Superman: The Movie (1978) and I watched the destruction of Krypton play out on the big screen. To see people running for their lives as the ground below them gave way and they plummeted into an endless chasm, falling helplessly into space, was scarier to me than any creature feature I had seen. A monster or an animal can conceivably be reasoned with - or at least be deceived, or defeated. But Nature is devoid of thoughts or feelings. Nature, to me, is not about sunsets and gentle breezes. It's about hundred foot tall waves, raging fires, and enormous upheavals in the earth.

Producer/writer/director Roland Emmerich knows all about what Nature (and what CGI) is capable of. With only one true disaster movie to his credit - 2004's The Day After Tomorrow (Godzilla and Independence Day had plenty of destruction but they were rooted in sci-fi fantasy with their giant monsters and aliens) - he apparently decided that he had been thinking too small with that film and looked to the Mayan calendar for inspiration for 2012. This is the big enchilada of disaster movies. I believe that the book on this genre should be permanently closed now. I guess someone else will try to carry on at some point - maybe even Emmerich himself - but I can't imagine why. Unless all prints of 2012 are mysteriously lost, there is no more need for any further cinematic depictions of disaster - that is unless someone wants to do a disaster movie in 3-D. Maybe that'll be Emmerich's encore after this. Personally, I think he should just move on because trying to top himself at his own game after 2012 looks like a losing proposition to me.

I had expected that 2012 would've gone more into Mayan mumbo-gumbo but the prophecies or what-have-you of the Mayan calendar are given a brief shout-out or two early on and never mentioned again. Apparently there wasn't much material there to work with - but they did have that magic date to offer and Emmerich doesn't let it go to waste. To Emmerich's credit, the characters in 2012 are more personable than they had to be. Smart casting helps, with John Cusack as a novelist and Chiwetel Ejiofor as a scientist being especially good. And I wouldn't have thought that a movie about the end of the world could be such giddy fun but Emmerich has pulled it off. This is the kind of movie where one character says to another "I feel like something's pulling us apart," as a beat later a gigantic crack appears between them in the floor of the supermarket they're standing in. Corny? Sure, but you don't spend the kind of money that was spent on this movie to leave people depressed. 2012 frequently reaches the level of total slapstick farce and boy, those are some good times. I'd hate to spoil the highlights for anyone, so I won't but all I can say is that I'm still chuckling over some of 2012's best bits.

When I told my wife this movie was two hours and forty minutes long, she couldn't believe it. But while it does seem like a movie that by rights ought to be short and sweet, Emmerich finds a way to make 2012 more than just a global smackdown. This catastrophe isn't something that's just sprung on the world's leaders so plans are in place to ensure the survival of the species, giving 2012 a third act that isn't just about people lying around dying. And of course, in classic disaster movie tradition, there's plenty of soap opera level dramatics with characters either rising or falling to the occasion.

Emmerich himself rises to the occasion with the help of his cast and special effects team. 2012 is a giant hunk of foolishness but it's also the greatest 'disaster porn' film ever made.

Monday, November 17, 2008

2012

As you may have noticed, it's been unusually quiet here lately. I'm sorry for the lack of activity but I think Barack Obama's landslide Presidential win temporarily took the wind out of my need to write. Or more specifically, the need to write about horror. Over the next four years, peace and prosperity might return to the USA and even if that turns out to be just a case of wishful thinking, for the first time in a long time, life seems less anxious and the future doesn't look so scary.

But while at a screening of Quantum of Solace, I saw a well-timed reminder that the future is always something to fear in the form of the teaser for director Roland Emmerich's upcoming doomsday mega-spectacle 2012.

There isn't much to see here, just a monk in the Himalayas desperately ringing a church bell as a massive tidal wave crashes over the mountains and washes away everything in its path. But I like that the clip utilizes a music cue from 1980's The Shining. As the waves crash over the mountain top, it's to the same music heard in the famous teaser for Kubrick's film where the elevator doors open and unleash a torrent of blood. It might be cheesy of 2012 to appropriate this music for their purposes but I appreciate the fact that both teasers end awash in a cascade of doom.


How do I rate the prospects of 2012 as an actual movie? Pretty low, although that does nothing to diminish my desire to see it. I love movies that feed into half-assed 'real' fears (how well I remember spending the summer of '78 in mortal terror waiting for the killer bees of The Swarm to end Life As We Knew It - after all, it was all over the news how South American killer bees were on their way to North America so it wasn't just made-up crap) and worrying about the end of the world in 2012 because the Mayans said so is about as half-assed as it gets (even though, like killer bees, the Mayan calendar itself isn't just made-up crap). My concerned wife is already wringing her hands over this nonsense and I'm sure this movie will send plenty of people searching for every scrap of info that will tell them where to hide when the shit goes down in four years.

For myself, my only worry is that I'm not sure how the world is supposed to end in this movie and I'd hate to be disappointed. I'm too lazy to look up what the Mayans themselves had to say (even though the 2012 teaser encourages uninformed viewers to "Find Out The Truth" by Googling '2012') and I'm guessing the film takes its own liberties with the prophecies anyhow (because even the best prophecies can stand some juicing up).

I'm just hoping that our global end game isn't all down to an environmental issue, like the Earth shifts orbit and all Hell breaks loose. My feeling is that if the world is ending according to an ancient Mayan prophecy and there isn't aliens involved, why bother? Seriously, I'll be pissed. As end of the world cataclysms go, 2012 is supposed to be the mother of them all (sorry, Nostradamus) so why not go for the whole cosmic enchilada?

I just hope that Roland Emmerich and co. deliver something so spectacular that the forces of the universe will be pressed to come up with something better to top it and have to miss their 2012 date altogether. After all, if 2012 is good I'd like life on Earth to continue so we can see a sequel.